This post was developed and authored by Christina Katopodis, M.A., M.Phil.
Octavia Butler, Dawn (Xenogenesis, Bk. 1). Warner Books, 1987.
Lilith Iyapo wakes up in a spaceship orbiting Earth to find out that humans have destroyed the world and made it unlivable and an alien species, the Oankali, have saved the few humans who survived the war. Lilith is charged with waking her fellow humans to establish a new Oankali-Human society on Earth.
- Kathryn Yusoff, A Billion Black Anthropocenes or None. University Minnesota Press, 2018. This text is available to read online in Manifold, so it is easily accessible to students. Yusoff’s interdisciplinary approach draws from climate change, colonialism, and slavery to bring Black feminist theory and geology into conversation to contextualize the politics of the Anthropocene in terms of race, materialism, and deep time.
- Stephanie LeMenager, “To Get Ready for Climate Change Read Octavia Butler,” Electra Street, November 2017. In this article, LeMenager details Butler’s vision of the future where climate change and capitalism collide in her books Parable of the Sower and Parable of the Talents. For those who have read Dawn but not Butler’s other work, this article could be a good entry point to get a sense of Butler’s oeuvre and help raise questions and connections between climate change and events that take place in (and before) the time of the novel.
- Andrew Plisner, “Arboreal dialogics: an ecocritical exploration of Octavia Butler’s Dawn,” African Identities, vol. 7, no. 2, 2009, pp. 145-159. In this article Plisner argues for a “hybrid African Diasporic/ecocritical assessment of Butler’s Dawn … The first section syntactically critiques the book’s – and trilogy’s – title(s), and how they relate to notions of hegemony. The second section mediates self-identity in relation to social and ecological environments, particularly corporeal invasion and colonial subjectivities. Finally, the third section highlights the Afro-Diasporic voice represented in Dawn and its relation to cultural memories. Through these topics, the author not only explores ecological dialogics presented by Butler, but also intersections between gender, culture, society and nature – transcending traditional binaries in order to present a heteroglossia of ecocritical critiques.”